This is a 16 foot by 4 foot piece, in situ, I custom-painted specifically for my friends’ flat. I like it being untitled, but I temporarily called it the GAP or “Giant Art Project.” I enjoyed designing and constructing the frames and stretching the canvas, etc. It was a very fulfilling experience to customize something like this for my good friends. They titled it “Blessed Relief.”
The “GAP” in my workshop before delivery.
A fun non-commissioned piece.
The set of All’s Well That Ends Well was a storybook resting on a giant map.
An uncommissioned piece in gouache and pen from a travel magazine picture.
My kids frolicking in the woods.
Some strange sketches.
Baron Gottfried von Muffinstein
Sets for a ballet, 2011
Sketches at an improv show in January 2018.
Sketch at a concert.
This is my version of a page from Sarah Stewart and David Small’s The Gardener.
Sets for Shakespeare’s Richard II. Painted the floor a giant medieval royal family tree.
A sketch of a very beautiful model friend of mine.
Four logos I created.
A wigwam I made with my family in 2016.
I designed this tattoo. God designed the foot.
All’s Well That Ends Well poster, RCP (2016)
This is a poster I made for… guess which Shakespearean play…?
A sculpture I made from a single piece of wire.
A helmet I made for a production of Macbeth. (It’s on a pole as the gold paint is drying.)
A hasty sketch of Aptos, California.
Shutters I made for my house.
This is from, like, 50,000 years ago– at least it feels like that.
